Culture Club 40th Anniversary 1981-2021 Signatures Thank You For The Memories Shirt

Chiswell’s most popular videos are fashion-centric, with many of them in familiar formats for influencers. She has done tours of her beauty room and her closet, and does TikTok fashion trends only with vintage clothes. She’ll also post clothing hacks and tips for making your legs look longer in photos, perfectly composed selfies that are filtered in a dreamy, midcentury glow. If that wasn’t enough to hold your attention, then there’s the Marilyn house which she and her husband discovered after passing another one of Monroe’s former homes which was being demolished. They then researched the Culture Club 40th Anniversary 1981-2021 Signatures Thank You For The Memories Shirt other properties, saw one was for sale, and bought it with the intention to preserve it. A video she posted to TikTok titled “Random Things I’ve Found Living in Marilyn Monroe’s House” has almost 15 million views. She’s found magazines from 1953 (when Monroe and Joe DiMaggio would have lived there) and the actor’s signature hidden on a rafter. The level of commitment is so high and specific, I’d be lying if I said I didn’t think: Is this just an elaborate bit? Titled "Contempt as a Virus," Smith's essay skillfully and relates the virus currently plaguing America to the one that has killed and brutalized scores of Black people in America since the country's founding: structural racism. "I used to think that there would one day be a vaccine: that if enough black people named the virus, explained it, demonstrated how it operates, videoed its effects...I thought if that knowledge became as widespread as could possibly be managed or imagined that we might finally reach some kind of herd immunity. I don't think that anymore," Smith concludes, devastatingly. It's worth reading the paragraph in full, if only to get a glimpse at the depth of Smith's hard- earned exhaustion. Intimations mirrors many white Americans' shift from the stasis of quarantine to the sudden, incandescent rage of protest. More than that, though, it skillfully captures many Black Americans' pain and disorientation at having the white world begin to register en masse what James Baldwin termed the "dread, chronic disease" of racism in 1955.