Foxteeshirt - Official 2020 you’ll go down in history christmas sweatshirt

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The artist makes everything in her London studio herself, and uses two types of mesh for her garments: tulle mesh, which is see-through, and power mesh, which is stretchier and less transparent. She cuts the Official 2020 you’ll go down in history christmas sweatshirt and I love this patterns herself, and applies prints using fabric dye. “Every single one is different, and during the painting process, there’s so much room for happy accidents, like the way the dye spills into other colors,” Porter says. Her feed offers a wide range of prints, from abstract tie-dye turtlenecks to slithery, snake-inspired dresses. Porter says she mostly does custom orders, working with customers to pinpoint color combos and prints. “It’s a good way to remain sustainable. I know that someone’s already buying it and I’m not wasting materials,” the artist says, adding that she averages two to three pieces a week. “Plus, I can make it fit perfectly.”

While her designs are spontaneous and done in collaboration with customers, Porter says the Official 2020 you’ll go down in history christmas sweatshirt and I love this creations are also very much influenced by her filmmaking. (She describes her films as “nonverbal visuals.”) “I think very much from a cinematographic perspective—my placement in relation to an object, from an aerial view or from below—so a lot of the images on my tops replicate that kind of point of view,” she says. Even the hangers she shows her pieces on have artistic purpose; they’re shaped in the form of sycamore seeds, of which she says, “Just like how trees release sycamore seeds, I’m releasing these garments out into the world.” Porter says fusing art and fashion has proven to be a new experience for her altogether—but given her current amount of star-studded fans, it’s clearly working. She likes how tangible and personal the process of creating fashion is. “It just made sense to me to put ideas or imagery onto something that could be bought instantly,” she says. “[Art] doesn’t need to exist in a gallery space.”

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